Foregrounded the previous studies of genre in literary studies (of Chu and Lowe), how have the race, gender, and class as significant elements constructing literary form affected to the transformation of hegemonic cultural elements in crime/detective fiction, which has been traditionally regarded as the bourgeois genre?
In sum, how has the literary form, including genre, been reflecting (or influenced by) the social, historical, and cultural history in the field of detective and crime fiction?
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